top of page
KATHARINA PROCH
ABSTRACTIONS
![]() | ![]() |
|---|---|
![]() | ![]() |
![]() | ![]() |
![]() | ![]() |
![]() | ![]() |
![]() | ![]() |
![]() | ![]() |
![]() | ![]() |
![]() | ![]() |
![]() | ![]() |
![]() | ![]() |
![]() | ![]() |
![]() | ![]() |
![]() | ![]() |
![]() | ![]() |
![]() | ![]() |
Direct engagement with the subject matter and historical models led me to abstraction and thus away from the relationship between image and space. The composition of the painting is no longer three-dimensional. Everything unfolds on a single plane. Color plays a dominant role in this.
bottom of page































